My dear friend,
I’ve been wanting to write to you for months. Obviously, for some reason it hasn’t happened until now. There are so many moments when I was outside, walking alone, drifting in the crowds, I found myself subconsciously drafting a letter to you. The thoughts were naturally flowing out of my mind and I had an urge to connect. But when I sat down properly, facing a blank screen and a blinking cursor, I struggled to find those words.
I recently took an 11-day break and was underwhelmed by how little I managed to do. I should be mending my last story now, or continue to squeeze something out for the new one, but instead, I am writing to you. I feel the calling of writing to you. Or maybe I just feel the calling of writing in a way that is free from any sort of anticipation. Maybe I’m writing in the hope of protecting myself from being hurt by it. I think of you every time I feel frustrated by my relationship with writing. I think you’d be able to understand, or at least, you’d care so little that it’s a comfort to me.
Generally, I believe I am taking good care of myself. I eat healthily (in my own standard). I work out as much as I can (or want?) and my weight hasn’t changed at all no matter what I do. At 33, I take that as a good sign. I meditate daily, journal frequently and masturbate rationally – a variety of attempts at keeping a self-dialog going. I go back to paper books and bought more than I can read. It serves as an effort to counter my insecurity over a gradual losing of my English. Losing here is a merely subjective feeling, it might as well be an objective revelation that I’ve never “had” it.
I start to feel I’m losing my English after my last break in July, which I used as a writing retreat. After that, not being able to keep up with that amount of writing has created an anxiety for me. I feel I’m losing my English in the same way that one is losing muscles when you don’t train them consistently. English words become grains of sand slipping through my fingers, no matter how hard I try to hold on to them, there are only so few left in my palm. I couldn’t help questioning my subconscious intention of exiling from my native language and focusing on writing in a second tongue. Is it really worth it, making so much more effort to write in a language I will never be as good as the natives, creating lesser stories and proses. I used to be proud of my Chinese, now all I have left for it is guilt. When the whole world is in a big existential crisis, I have a mini one of my own, with my languages.
As a result, I’m spending more time with music and piano playing now. And I can’t help comparing it with writing to understand what both of them mean to me. After all, these are the two things that I spend most time on out of my bill-paying job. Unlike writing, I know for sure I have not much talent in music, and that is almost a bliss. (No who am I kidding of coz I wish I was born a music genius!) With music, I’m happy enough to just reproduce; while the one and only goal of writing is always to create something original, something personal, and something good. It’s real work. It is the carbs of life, I love it as much as I dread it.
Meanwhile, music is wine. I don’t have to drink wine, but I can almost always enjoy it. The fact that I’ve embraced my mediocrity makes it a pure pleasure. The only exception is when I try to record a video of a piano piece – a self-defined graduation from a song – and could’t get an ok version after 100 takes. It was time-consuming and physically exhausting. But ultimately, it’s a satisfying process, no matter how flawed the end product is. (My neighbours might beg to differ.) I guess that’s the difference – with music, I don’t tend to beat myself up for not being good enough. There is a lightness that I don’t get to experience with writing. And that might be what has been drawing me closer to it. Would it be so condemnable if I only wanna do things that feels “easy” ? Is it a dangerous situation that I find it so easy to sit down and play some broken piano while it takes so much for me to go back to the story I’m bound to redo? These are only rhetorical questions, of coz. The answer was written in the question itself.
I was briefly back in the dating scene. It wasn’t much of a pleasure, as expected. As I was experiencing it, I was also taken aback at how the sentiment associated with dating can be so amusingly negative these days. It’s like a filthy public bathroom, you made fun of it, you hated it, you really wish you’d never have to go in there again, but for some reason you had to use it. Eventually, you convinced yourself to brave in, masked, praying it wouldn’t smell as bad as the last time. When you were in there, you were holding your breath all the time. You got out just before you could faint in there. You kept walking away wishing no one could see or smell that public toilet flavor from you. And you swore to yourself you’d never be back there, until all the above happened again.
The truth is, despite my cynicism and jadedness with the act of dating, I do not forget the reason why we do it nonetheless and I retain the most serious assumption of love, that it’s worth hoping for. Moreover, I hope for a chance of giving love, as properly as it can be given. In this latest cycle of trial and error, I see what’s really at stake isn’t that there’s no right person or that love is after all unattainable. The real peril of dating is that every setback in this process, significant or not, makes a dent in that hope — the delicate, timeless, yearning of something genuinely good. The space is eventually jammed with hopeless meat lovers, ready to settle for whatever that’s left to be taken.
If I have to choose between building a wall around myself and the ability to feel, I’d always choose the latter, even tho it means feeling hurt. The nuance lies in a balance act of allowing yourself to feel, to get frustrated, to be vulnerable, and not letting these feelings wear you off. In some way, I feel the dating episode is a testament to the fundamental core system that I spent the past two years building. In the past, when I returned to my inner space after every defeat, I was depressed by how empty and purposeless it felt. Now, when I came home to myself, the disappointment was real, the sense of loss was real, but the void was gone. There is something solid I could fall back into. It enables me to always hope for love, but never depend on it.
There are much more I’d love to mumble on, but I should probably stop now to keep this letter a pleasurable read. It’s a lovely time in Hong Kong these days. The summer heat is officially brushed off and it’s so delightful to be under the sun. In the evening, a gentle chillness breezes over your body like a stranger’s hug, ambiguous, lingering, transitory. I wish I could put a stamp on this magical Hong Kong weather and mail it to you, or someone, anyone.
It’s 10:30 in the evening and I’m going for a night stroll before bed. I’ve been taking a lot of long walks recently. There’s a satisfaction associated to it that feels both elementary and novel. And it really helps me think. I figure if people can walk and write at the same time, there must be a lot more great writers in the world. Or maybe it’s just me, going through a boring version of a pre mid-life crisis.
Enclosed a Dylan/Cat Power song I covered recently. I would die for the sandy smoky voice of Cat Power but this is the best I could do.
Until the next time.